KITTY BRAZELTON

the music I make

Still working. The latest is harvesting STORM singers’ “t”s for the rain, “s”s for the hiss of the wind , “m”s for its howl…

Planning to mix in internet-accessible immersive audio. You will listen from INSIDE the choir!

““impressive nerve ... a pop-operatic pow ... orchestrated like Kate Bush kickin’ it with the Mingus Big Band.””

— David Fricke, Rolling Stone

““Brazelton is a dynamo on stage.””

— The New York Times

““brilliant, boisterous and quintessentially downtown...””

— Mark Swed, Los Angeles Times

““Few composers are as uninhibited in saying exactly what they want to say...””

— Ken Smith, Gramophone

““...through sheer will and implied sexuality… Brazelton wrote herself into the score... the cohesion of the music comes from her expression of then and now.”

— Daniel Webster, The Philadelphia Inquirer

““brilliant sonic palettes... passionate vocals and her edgy, yearning delivery... urgency and allure.””

— Dan Ouellette, Schwann Guide

““you might wonder how someone’s musical appetite can be quite so voracious... Hard to resist.””

— Andy Hamilton, THE WIRE

“ “What Is It Like To Be A Bat” is a hellacious squall of sound that is never boring and wholly original… like the soundtrack [to] a pending Armageddon.”

— Mitchell J. Ryan, Boston Herald

““[Brazelton] isn’t interested in cheap irony or vain attempts at hipness... she’s stylistically inclusive because she simply wants to make interesting and original sounds.””

— Danny Felsenfeld, Time Out New York

““Vocalist/composer/educator Kitty Brazelton is a true musical renaissance woman.””

— Glenn Astarita, AllMusic Guide

““...rips the entire postscript that is postmodern rock to the ground... Brilliant and dangerous...””

— Thom Jurek, AllMusicGuide